Showing posts with label Milwaukee Braves. Show all posts
Showing posts with label Milwaukee Braves. Show all posts

Sunday, July 17, 2016

Finishing Off Last Week's Card Show: Gary and the Braves

Some days, blogging comes easily. Ideas for posts or themes pop into my head quickly, a few Google searches fleshes them out, and bang! Blog post done. 

Other times, it's not as easy. There are times that, even when the cards are cool and can speak volumes themselves, the post doesn't come together well. The writing process becomes slogging through a morass rather than having words flowing smoothly.

Indeed, today is one of the more difficult days to get words flowing. I've started and stopped, typed and deleted, surfed the web rather than write, played a quiz on Sporcle, and generally stalled while trying to come up with something interesting.

Nothing came to me. Instead, I'm going with a list. Just a list. Maybe some video content. Maybe.  Well, actually, definitely at least one video.

Let's start with item 1 on the list:

1. Gary Carter Cards

Before the Gary Carter cards, it's time for video content.




Yes, it's a video of Gary Carter's last career hit -- a double on September 27, 1992. 

The team brought him in for 1992 as a final tribute season and, probably, to serve as something of a mentor to Darrin Fletcher (who, at age 25, was already in his fourth year in the league) and youngster Tim Laker, who had risen to the major leagues after being a 6th round pick in 1988 out of high school in Simi Valley. Carter had started out that year fairly strongly at the plate. As the year wore on, his hitting faded. 

Because the team was in a pennant race for much of the year, however, Carter started seeing less playing time. It was clear that his tank was empty, and a team which stood tied for first place as late as July 30 (and finished in 2nd place, 9 games behind division winning Pittsburgh) couldn't afford to carry his bat much longer.

In the end, Laker ended up pinch-running for Carter after that double. Perhaps out of sentimentality and the rousing ovation he received, the Expos did not play Carter during the final week of the season since the Expos finished the year on the road.



I found the Carter insert from last year in a dime box. The same goes for the 1992 Upper Deck high number card (which I had in a discolored form previously) and the 1992 O-Pee-Chee Tribute (of which I still need four other cards from that Tribute -- the other four showing him in his various previous stops in the major leagues). Finally, that Historic Swatches of Carter was a $3 card. Not bad for a Hall of Famer's card serial numbered 250 out of 350 from 13 years ago. 

These four cards bring my Gary Carter collection up to 258 different cards. It's nice to have one collection where I don't have to think about getting extra cards for my team collection too. Maybe I should think about another non-Brewer collection. Maybe.

2. Original Mid-1950s Cards


I paid $1 for each of these cards. 

Of these cards, two really stick out to me. First, the Pafko is off center but has a couple of sharp corners. If I were a grading type, I'd totally get this graded. 

Second, the 1954 Topps card of Roy Smalley is one I feel like I have had in my collection forever yet never really did. That's because in both 1976 and again in 1985 for the Father-Son cards, Topps used that same card for Smalley to represent him. This was done despite the fact that Smalley appeared on Topps cards in 1951, 1952, and 1957 in addition to 1954.

Side note: The prices at my local show tend to be really good, as the $1 1956 Topps cards with sharp corners shows. At one table, a guy who sells at shows in other locations and on eBay pored through the nickel and dime boxes looking for cards to flip for anywhere from 25 cents to $5. He got so many cards that he ended up stroking a check for $120. Now THAT is a lot of dime cards...and I'm quite sure that he got more than the 1200 dime cards one would expect for that price.

Incidentally, you will all be pleased to know that the rest of this post is entirely oddballs.

3. One Original 1960s Oddball



There seem to be three things that I am known for in the blogging world. First, I'll take your Milwaukee Brewers off your hands. Second, I post a LOT of music on my blog. Finally, I love oddballs.

For the first time in my collecting career of nearly 40 years, though, I dipped my toe into the Armour coin collecting pool. I did so almost on the spur of the moment, in that I had not walked in to the show thinking, "You know what I need? A 1960 Hank Aaron Armour Coin. And I'm not leaving until I find it." 

That said, when presented with an opportunity, sometimes you just grab it. I ended up paying $25 total for this coin, the two 1971 Topps Coins from yesterday, and the 1973 and 1975 Kellogg's cards from yesterday. 

PSA has a great history of the Armour hot dogs coins. To be quite honest, I could see myself at some point in the future -- perhaps a future with more money in my pocket, I suppose -- trying to collect the full run as a set. If only because I love oddballs so much, that thought appeals to me.

Actually, the thought that really appeals to me is to start with 1946 and to try to make a type collection. That way, I'm not burying myself too much with unobtainable cards -- there are still plenty of those nearly unobtainable cards in that grouping -- but I can avoid trying to find some cabinet card from 1911 that shows up only at auctions at Sotheby's. 

Now, for the rest of the post, let me just say that it was a great day for oddballs and reprints.

4. 1978 TCC Milwaukee Braves Greats Set



This is a 15-card set that includes Hall of Famers Hank Aaron, Eddie Mathews, Warren Spahn, and Joe Torre. I think this may be my first baseball card of Bob Uecker, strangely enough. By no means was Uecker ever a baseball great, as most of you are aware, but even by 1978, Uecker had achieved national notoriety through his appearances on the Tonight Show that caused his inclusion in this set. 

5.  1983 Larry Fritsch Boston/Milwaukee Braves Collectors Set



This set was printed for noted Wisconsin card dealer Larry Fritsch Cards, LLC. Fritsch has been around for decades now -- since 1970, in fact.  Its namesake Larry passed away in 2007, though the family continues to run the operation in Stevens Point, Wisconsin. For a while in the 1980s, Fritsch printed sets of Midwest League cards and, in fact, hit a big coup for them when one of the guys in the 1983 set who played for the Madison Muskies turned into the hottest name in the hobby in 1987 -- Jose Canseco.

This set was printed to commemorate the Braves' move to Milwaukee in 1983. All the photos are black and white and feature the players in Boston Braves headwear, oddly enough. Still, it's a nice commemorative set even if I'd prefer a color version.

6. Jalfco Reprint Sets of 1953, 1954, and 1955 Johnston Cookies 





The same printing company whose name appears on the back of that reprint of the 1970 Flavor-Est Milk Milwaukee Brewers set in the same year -- 1988. 

All together, these three reprint sets, the TCC set, and the Fritsch set cost me $60 total. That's not a bad cost for these sets together to me since I got them in hand right away and they came in plastic sheets already -- meaning I also got about 15 sheets in that price too.

It's a strange thing to see the 1953 and 1955 cards to me. It seems that every single one of the original cards I've ever seen have been from the 1954 set -- the tall thin ones -- rather than the more normally sized 1953 or 1955 sets. When Jalfco reprinted the 1954 set, though, they shrunk the cards a bit so that they would fit in the normal 9-pocket sheet size without sticking out of the top of the sheet. That was pretty nice of them.

So, at least I have cards that look like the Johnston Cookies sets. The next goal is to get the originals. 

And to do more research on all these reprints.

Wednesday, June 8, 2016

Vintage Show, Part II: Jazzy Cards

I have no idea why, but for some reason I'm feeling like hearing some jazz music. I used to listen to and play jazz a lot when I was in high school -- I started as a freshman on baritone saxophone, then went back to my alto sax and even picked up a soprano saxophone for jazz as a senior. 

Every so often, I go back and listen to some of that music. For the rest of the vintage cards I picked up over the weekend, jazz seems to be an appropriate accompaniment. Going by the year of the card, I'll pick out something released that same year.

1953

The Modern Jazz Quartet, "Autumn in New York"




To start off is this chart by Modern Jazz Quartet comprised of John Lewis (piano), Percy Heath (Double Bass), Connie Kay (Drums), and Milt Jackson (vibraphone). This song is very much in the genre of cool jazz or even smooth jazz -- very laid back, very melodic, and just chill. That song will take an edge off the day and make you feel like you should be meditating, or reading a book with a glass of bourbon or wine, or just paging through old baseball cards.



And, if you're going to page through old baseball cards, why not go through the real 1953 Topps set rather than the Archives redo that we have this year? Having found this beautiful painting of the Jack Dittmer, I now only need card 215, Gene Conley, to finish my Milwaukee Braves 1953 Topps set. Of course, half the team set was released as Boston Braves, so that's skewed results favorably in my direction.

1954

Chet Baker with Gerry Mulligan, "Line for Lyons"



Gerry Mulligan is without question one of the greatest -- if not the greatest -- baritone saxophonists in jazz history. We're still in the cool jazz genre here, but Mulligan and Baker together as heard here are renown as one of the most important groups in that genre. I have to admit that this one is good, but it doesn't draw me in. Mulligan is great, but it feels a little academic in many ways. 


It's too bad that cool jazz -- while decent -- really comes across a bit light because these cards deserve more. The Bickford is a bit beat up, but to get two Bill Brutons -- including that Bowman, which is the last card in the set -- and the Ernie Johnson rookie card were just great finds for not more than $4 for any one of these (Bickford was $1, I'm pretty sure).

By the way, doesn't Jack Dittmer look a lot better here in this photo rather than in the 1953 Topps painting? That painting makes him look super ugly.

1955

Charlie Parker, "Yardbird Suite"



The jazz world lost a legend in 1955, as Charlie "Bird" Parker suffered a heart seizure thanks to years of ignoring his health and shooting up heroin. He was only 34 years old, but his impact on jazz through his hard playing bebop style is undeniable. This song is one of the more approachable, easier to play songs for an alto sax player. Many of the others are damn near impossible for mere mortals like myself to play.


The beauty of 1955 Topps cards comes through here. Topps started bringing its "A" game in the mid-1950s and, more to the point, started crowding out Bowman through exclusive contracts. Bowman lost money and got bought out to start the first Topps monopoly era. 

I feel bad for Charlie White, though. One would have thought that the Braves would have allowed him to use equipment to catch like Jack Parks has. Damn that racism.

1956

Sonny Rollins, "St. Thomas"



Sonny Rollins is a badass. He's still with us -- aged 85 -- and he still plays out at times.

In later years, this song got rearranged with the lead sax part played on a soprano saxophone rather than a tenor. It's a totally different feel -- in fact, it's the song that I played soprano on. Soprano sax is tough to play in tune. 

Then again, pretty much all saxophones are tough to play in tune.



Danny O'Connell appears to be gritting his teeth and listening to a bad sax player here.

Okay, I'm going to ditch the songs year by year because otherwise I'll never get through the rest of the cards. But I'm going to pick some favorite songs my high school jazz band played or simply jazz songs I like to accompany the cards.

Count Basie -- "Wind Machine"



Damn this song was hard to play. After the long walking bass part at the beginning, the entire saxophone sections comes in and is supposed to sound essentially like one saxophone playing all those notes all together. And that solo -- not easy.


Line 'em up -- 1958, 1959, 1960, and 1961 all in a nice row there. The 1961 team card actually was a duplicate (oops) so it now becomes a part of the Mathews collection.

Brecker Brothers, "East River"



Yeah, pretty clearly not in the 1960s any more, but this Brecker Brothers chart just rocks. Funk to the extreme, dirty, nasty, in your face -- kind of like what I'm sure the East River was like in the 1970s before people paid more attention to our environment and cleaned it up some.


I feel like 1962 Topps goes with funk really well. You get Topps basically saying, "aw, to hell with it" and not airbrushing Bob Buhl's Braves hat off while, at the same time, Birdie Tebbetts looks like an extra from a live version of Clement Moore's "A Visit from St. Nicholas." All he needs is mama in her kerchief next to him.

Dave Brubeck Quartet, "Blue Rondo á la Turk"



Paul Desmond nailing the alto saxophone part there looking about as uncool as a saxophonist can (until I came along, probably). Brubeck is pure genius. The song has a very unique 9/8 time signature but it feels like a straight 4/4 time regularly -- where it feels like that extra beat in the measure is just stolen from somewhere.

I loved listening to this music as I learned how to find my own voice in jazz improvisation. I could never been any of these guys, but I loved picking what I could from each.


Thanks to Bob Shaw, I had to buy a card featuring Sandy Koufax, Don Drysdale and Bob Gibson. Thankfully it was not too expensive. 

Also, for you Canadians, say hello to St. Jean, Quebec's own Claude Raymond from 1963 as well. Unsurprisingly in that politically incorrect age, Raymond's nickname was Frenchy. He was inducted into the Canadian Baseball Hall of Fame on July 26, 1984.

So, that's what I was able to pick up over the weekend. I probably could have gotten more there if I had more money I was willing to spend. 

Okay, one last song from another virtuoso. This time, it's a real soprano saxophone player. 



John Coltrane makes a song from the Sound of Music sound subversive. Now that is talent.