Showing posts with label Yazoo. Show all posts
Showing posts with label Yazoo. Show all posts

Monday, August 7, 2017

The Amen Break Featuring Cards from Angus

Over the course of about three weeks, I got several packages from my Canadian friend Angus of Dawg Day Cards. Angus first introduced himself to me about two years ago and immediately waded in on my card war with the legendary Jaybarkerfan. This summer, it seems that Angus found himself on a driving tour of the United States with stops in Ohio, Arizona, and parts in between. In the process, he stopped at card stores and bought things -- hopefully plenty for himself to get his blog reignited -- and a few things for other collectors.

I thought about this post as I was driving home today -- that I needed to get off my lazy butt and post some samples of the cards that Angus sent my way. I had no idea, however, what I was going to say about them or whether I would have music to go along with the cards.

Then, NPR's All Things Considered had a fascinating five-minute story about one of the most famous -- and most frequently sampled -- drum breaks in the history of rock: the "Amen Break." The break was played by the late Gregory Sylvester Coleman of a DC funk band called The Winstons, and it was in a B-side called "Amen, Brother." The song itself is a simple enough piece -- only 2-1/2 minutes of funky jazzy sounding beats. The break is located at about 1:25 in the song:


If you are a music fan, you'll recognize that break soon after you hear it. According to NPR, it's been sampled more than 2000 times. According to the exhaustive "Who Sampled" website, that total is actually in excess of 2500 (2661 and counting). 

That ought to give me enough options for songs to select to accompany the cards from Angus. So, let's get to it.

N.W.A., "Straight Outta Compton"


Needless to say, that song is NSFW. It's the most popular song according to "Who Sampled" to have sampled the Amen Break. It is pretty obvious in the song too -- literally the whole drumline on this song is the Amen Break on loop. And this is almost always the way that the break is used -- as the foundation for the entire song.

 

Speaking of foundations, the foundation of my baseball card collecting truly came from chasing police card sets. I know I have said it on many occasions, but these police cards created my love for oddballs and comprise a large portion of each player collection I have for players before about the year 1996. The police sets continued after 1996, but they just are not as easily available. 

As an aside, the Jerry Augustine above was the first new addition to his player collection since June of 2016 -- when I added another police card to my PC for him. 

Snow, "Informer"


Canadian rapper Snow used the Amen Break as the base for his famous song "Informer." Once again, as with N.W.A., the drum break -- here, slowed down a bit -- is basically the entire base for the song. I had to use Snow, after all, since he is Canadian -- having grown up in the North York district of Toronto.  

I have always liked this song for its fast, mostly incomprehensible lyrics and the reggae sound incorporated in it. That sound comes honestly -- Snow's neighborhood in Toronto was a heavily Jamaican area, and he is well respected in Jamaican-Canadian music circles for his music. It's also incredibly catchy -- thanks in part to the Amen Break.

 

I think this is perhaps my second Topps Pristine card and the first one that I have that is encapsulated by itself. I'm very tempted to take Richie out of the hermetically sealed package for ease of storage more than anything. Still, it's tough to disturb the Topps hologram seal on it. My little kid voice in my head keeps screaming, "You'll ruin it if you take it out of that case! Don't do it!"

I listen to that kid, usually. I mean, I still collect cards thanks to that kid, so why wouldn't I?

Yaz(oo), "Situation (The Aggressive Attitude Mix)"


This one takes a little bit more listening. Slowly but surely, however, that drum fill becomes clearer as the underneath drumline again. I've always been a big fan of Yaz (Yazoo in the UK). As I have mentioned before, Vince Clarke of Yazoo came out of Depeche Mode and formed Yazoo with Alison Moyet. After Yazoo, he teamed up with Eric Radcliffe as a band called "The Assembly." Later in his career, he joined up with Andy Bell to form Erasure. 

If you want to hear something truly cool, do a YouTube search for "Foreigner vs. Yazoo Urgent Situation". It is what it says it is -- a mashup of "Situation" and "Urgent" and it is fantastic.


I'm not sure that Warren Spahn would have ever heard of Yazoo, though he certainly heard of Yaz from the Red Sox. I have my doubts that Spahnie would have even cared about Foreigner either.

Before the advent of at-bat music and music for guys coming in from the bullpen and, well, the wall-to-wall music that now assaults our senses at every sporting event because God forbid fans be allowed to cheer organically for their team, how did fans know what music that baseball players liked? I find myself assuming that Spahn would have been a fan of Frank Sinatra or Guy Lombardo or something similarly big-band and tuxedo-clad. But does anyone know?

And what makes me contemplate this stuff, anyway?

Jay-Z featuring Mary J. Blige, "Can't Knock the Hustle (Desired State Remix)"


This song is a remix of Jay-Z's third single from his debut album, Reasonable Doubt. Mary J. Blige appeared on the track as a favor to Damon Dash. But, by the time that Jay-Z's album was about to drop, Blige had already blown up and her label did not want her associated with some unknown punk from New Jersey. So, Combat Jack a/k/a Reggie Ossé (a lawyer for Def Jam/Island) tells the story that he basically had to beg for her to remain in the song. The whole story is intriguing to me, and you can read it on the song's Wikipedia page because why should I type the whole thing again!


Hostess cards rule. These were all condition upgrades to the ones I had in my collection already from my little kid days. Those days saw me as a 6-year-old learning how to cut along lines to get the cards off the box. I wasn't always successful. Actually, I was downright terrible at it and have a bunch of Hostess cards that are miscut, cut crookedly, or have weird scissor cuts from a jagged-edge fabric scissors getting used.

Pete Broberg is an interesting guy. He went to Dartmouth from Palm Beach County and is the son of a one-time Palm Beach municipal court judge. He grew up surfing off Palm Beach island. He loves sci-fi books and movies, and spent much of his time at the theater on Clematis Street in West Palm Beach watching Saturday sci-fi matinees. 

He excelled in baseball in high school, and the Oakland A's made him their first round pick -- second overall -- in 1968. He was selected one spot behind Tim Foli, two spots ahead of Thurman Munson, and 126 picks and 5 rounds ahead of future Brewers star Cecil Cooper. He didn't sign, so the Washington Senators made him the first overall pick in the 1971 June Secondary Draft out of Dartmouth.

His career was not what one would have hoped for -- 41-71, 4.56 ERA in just under 1000 innings pitched. But, Pete was a smart man and attended Nova Southeastern Law School. He made Law Review and was published in the Nova Law Journal. Even more wisely, all he does is draft and administer wills and estates and handle residential real estate closings in the law firm that still bears the name of his dad's law partner and his dad. So, maybe some day in the future, he and I will run into each other at a Florida Bar Association meeting. After all, Construction Law falls under the Real Property and Probate section of the Florida Bar.

The Theme from Futurama


Perhaps I should have put Pete Broberg's card with this song.

You can hear the Amen Break for the first time around the 12-second mark of the song, and it appears on and off throughout the song. 

I've watched a few episodes of Futurama. I never started watching it regularly, probably because I never watch much of anything all that regularly unless my wife wants to watch something with me. I really have never been a big TV watcher -- I was always wanting to be outside or reading or listening to music or organizing my baseball cards. I also like silence a lot too.


To close things out, Angus sent me these Leaf Certified autographs from 1996. I believe that this is my first David Nilsson autograph, so that's really cool.

Mike Potts jumped out at me as being interesting in this group. Potts was born in Langdale/Valley, Alabama -- just across the Chattahoochee River from Georgia and south of I-85. He went to high school in Lithonia, Georgia -- a town just outside the I-285 "Perimeter" and just north of I-20 in Eastern DeKalb County. The Indians drafted him from Lithonia High School in 1989, but he did not sign. The Braves then drafted him in 1990 from Gordon College in Barnesville, Georgia and signed him. The Brewers signed him off waivers before the 1996 season, and Potts pitched in 24 games for the Brewers that year.

Potts was done with baseball after the 1996 season. He decided at that time to follow in his father's footsteps and became a police officer. He worked for a couple of years for the Durham Sheriff's Office before he joined the North Carolina Highway Patrol in 2001. Potts was injured in the line of duty in February of 2013 when, on what seemed to be a routine traffic stop, he was shot in both of his hands, in his shoulder, and in his face. 

Mikel Edward Brady II was sentenced to 20 years in prison as part of a plea deal for the shooting. Thankfully, Potts was able to return to his position within a year and by February 2014. Potts saw his bravery and resolve to get back to work as nothing more than just doing his job. In May of 2014, he received the North Carolina Purple Heart for injuries received in the line of duty. 

Here's a photo of him receiving that award:


Angus, thanks for the great cards -- and especially for the excuse to find out about Patrolman Potts and Pete Broberg!

Wednesday, March 1, 2017

S.mackdown

I'm terribly slow at posting and at catching up on trades. I have a package waiting for one trade partner, and I need to put together another trade package for another trade partner.

Jimmy from Talking S.mack cards is the exact opposite of me. He is meticulous about following up with trade offers, making sure things are acceptable on each end, etc. I sent him a bunch of those Topps Heritage Minor League cards that I opened way back when, and in return he crossed some needs off my lists (and probably kept some cards from ever getting to the want lists in the first place).

I've been in a strange, out-of-sorts mood all day today. I had trouble getting my clutch to engage properly on my car this morning to allow me to start it right away. That threw me off for the entire day -- my schedule was off, my routine was off, everything felt off. The music in my life which seems to go with that is late 1980s stuff. Random 1980s stuff.

Like:


I tipped my hand on this Pixies song going around in my head lately. The normal speed version of this song is really good. But I have always been more drawn to the "UK Surf" version. It's more pensive, and that's usually the mood I'm in when I want to hear it.  Like yesterday and today.


Nothing says "pensive" like 2009 Topps base cards. I'm being serious here. I still have card needs in that arena -- 2009 seems like the time that a lot of my trade partners started coming back, but mostly they hadn't made it back enough to have accumulated enough 2009 base cards to send Brewers to me. Plus, 2009 is too recent for most card show dealers to schlep boxes and boxes of them to shows. So, it's a big hole.

That hole got smaller, though, thanks to Jimmy's kindness here!


Most people who have heard of Oingo Boingo know their album Dead Man's Party, which features the song "Weird Science." I heard that on tape as a kid and said, "Let's buy another one of their tapes." The one I bought -- probably through BMG -- was BOI-NGO. This album never got any airplay whatsoever, as best I can tell, though this song, "We Close Our Eyes," was covered by every teen boy's late 1980s crush (Susanna Hoffs) for the Buffy the Vampire Slayer film soundtrack.


In that vein, let's show some cards from Peter Steinberg's favorite set, 1995 Fleer. Seriously, if you have duplicates, I think Peter, from Baseball Every Night, is trying to build at least 2 or 3 sets of 1995 Fleer, so send all your duplicates to him. He'll appreciate it greatly!


For some reason, it seems songs that I dig that are alternative end up on TV shows much later than when I get into them and suddenly become even more mainstream. "A Little Respect" by Erasure apparently got played on episode 3, season 1 of Scrubs. To be fair, this song did hit the top 20 in the United States, so it's not like it's entirely out of the blue.

Vince Clarke wrote the songs and played keyboards for Erasure. The guy is an awesome, visionary musician. He was a founding member of Depeche Mode, then formed Yazoo (known as Yaz here in the United States), then he started up Erasure. 


Some Upper Deck and some 1990s parallels to add to some player collections come with a little respect. I sometimes have trouble telling all the Upper Deck base sets from the 2000s apart. They all feature excellent photography that isn't overly filtered or contrasted so as to make veins pop off the card. But, they also tend to feature very similar minimalist designs. 

That, or I am just lazy and haven't taken the time to figure out which year is which yet. 

It's probably the second one.

Okay, last song to go with a great last card...inspired by what I just wrote about Vince Clarke:


This song has always kicked ass as a dance tune. When I was in my late teens, a buddy and I used to go to an underage dance club. We never had any money on us -- not even a quarter for water -- just enough to pay the cover charge and dance our asses off. While we always thought we were there trying to meet girls, the reality was we were there to hang out and have fun. We tried awkwardly to meet girls -- like teenage boys do -- but I usually ended up at least as interested in dancing like an idiot. 

I'd go home drenched in sweat, but thoroughly entertained. I loved the music -- stuff like Erasure, Yaz(oo), Ministry, Nine Inch Nails (Pretty Hate Machine came out in 1989, y'all), and even things like N.W.A. It was so much fun. 


As much as I can rail on and on about parallels, the reason I do it, I think, is because I'd like them to be more limited in scope -- maybe two or three per set tops -- and not as limited in number. I want to collect them. I want them to give me good memories 25 years from now about being shiny and pink and cool and attractive.

Well, at least as cool and attractive as this card design can be.

Jimmy, thank you so much for the great cards. They are much appreciated.

And everyone else, don't forget to send Peter your 1995 Fleer.