Over the four years I've been blogging, I have been the recipient of tons of cards and bobbleheads and all kinds of other stuff from John at Johnny's Trading Spot. He is a megacollector. Not only does he want all the Braves ever -- as he puts it, he only needs "like 108,000 more Braves cards" -- but he also puts sets together too. So, it looks like I definitely need to send him some cards again soon.
This is especially true because he sent me yet another package of cards about a month ago with some fantastic Brewers to add to my collection. Let's start with a short print from 2017:
Eric Thames seemed initially to be a very inspired signing by the Brewers early last year. Of course, he was not that much of a different player than when he went to Korea. It helped him early on that teams did not know whether he could handle what they were serving up to him -- especially the Reds.
These days, Thames's playing time is getting squeezed a bit by the Brewers surplus of outfielders and corner players -- it's tough to find room for Christian Yelich, Lorenzo Cain, Domingo Santana, Ryan Braun, Brett Phillips, Keon Broxton, Jesus Aguilar, and Eric Thames on the same roster. Of those, Phillips and Broxton have options remaining, and Aguilar was a waiver wire pickup last year who might find himself there this year if the Brewers can't clear that logjam.
We'll see how good David Stearns is in that trading process. So far, he's made me a Believer.
Strangely enough, 1981 Kellogg's seem to elude me. 1982 and 1983 are plentiful, it seems, but 1981...maybe kids just didn't want to remind themselves about the strike by buying baseball cards. Still, these two Brewers stalwarts were both very much needed for my collection.
The Greatest American Hero was one of my favorite TV shows in 1981. William Katt as the everyman superhero who screwed up and made mistakes but in the end always beat the bad guys was kind of an inspiration to me as a 9-year-old, because I always screwed up and made mistakes. My visual memory of that show tied to this song is the scene where he flies into a billboard and crashes. He was also about as graceful as a rhinoceros high on LSD. Plus, Connie Sellecca was hot.
Now, though, she's just married to John Tesh. That was after being married to Gil Gerard (yeah, Buck Rogers from that three year show at the end of the 1980s).
Gotta love these snowflake/holiday cards from last year. Well, actually, you don't have to love them. To be honest, I'm sort of agnostic. They are cool and all, but I'd prefer them if they weren't a glorified parallel. I guess they are pretty cool. They do put me in a holiday spirit, even though the only holiday really upcoming right now is St. Patrick's Day. Guess I'll have to drink a Guinness.
Sort of like the cards, I'm a bit agnostic on Madonna -- especially her early career. If you didn't live through that era, well, imagine if Taylor Swift spurred on an entire army of teenage wannabes who dressed like her and you have the feel of what it was like when Madonna first got big. This was really one of her first hits, and she became a phenomenon.
John has been sprinkling these Fleer Excel cards throughout the blogosphere. You have to love that El Paso Diablos card of future Brewer and Astro Mark Loretta!
I am still working on putting together my minor league want lists for the Brewers. I'm working on refining my Milwaukee Braves want lists currently, so that's taken more of my time recently. That and listening to tons and tons of different podcasts.
If you have any podcast recommendations, let me know.
When I think of 1995, I think of the time when I met Oasis. Speaking of which, I really need to find my signed concert ticket from that day. Of course, they were gobshites then and are gobshites now. Time has certainly revealed that Noel was the more talented of the Gallagher brothers.
Oh, and f**k Man Citeh, Noel & Liam.
It might seem weird that my favorite item from this box (which had a ton more things in it!) is a media guide, but I love media guides. Part of me thinks I should go back to my efforts to buy up as many old (but good) baseball books as I could. The other side of me, though, thinks I should stick with the Brewers but buy up every Media Guide in sight of every team. I know I have the Brewers from 1979, 1980, 1981, 1982, 1990, 1991, 1992, and 1993 at a minimum.
And maybe I should do that. I enjoy the background about the players and all, and I also enjoy tidbits like seeing Fred "Chicken" Stanley showing up to work for the Brewers in 1992 -- one of the 1970 Brewers came back home.
John, thank you very much for the cards and ESPECIALLY for the media guide.
I forget exactly how it was that I started reading Matthew Prigge's articles on the Shepherd Express website about the Brewers. I would venture to guess that I was researching one of my posts and happened across one of his articles. It may have been his "Best 20 Brewers baseball cards ever" article, or it might have been looking at the Brewers Free Agent signings. I just don't recall.
I'm very glad that I did find his article, though. I commented on his post and started following him on Twitter. Since that time, he's started getting integrated into our online baseball card community -- even starting up his own blog called Summer of '74 where he is working on two Brewer-related projects: collecting the all-time roster of Brewers and, in addition, collecting the all-time roster of Brewers in autographs.
Matt's also an award-winning history author. Earlier this month, he received an award from the Milwaukee County Historical Society called the Gambrinus Prize, which is awarded each year to the best book-length work on Milwaukee History. Receiving that award also allowed him to meet Bud Selig.
Being a fellow Brewer collector and being a fair amount younger than me means that Matt had a bunch of Brewers cards from the late 1990s and early 2000s that I did not have. He also threw in a few extra autographs. So, without further introduction (because this one is getting long already), let's get to the stars of the show: the cards.
Of course, I can't leave well enough alone, so I'm going to intersperse music that the Shepherd Express brings to my mind...which means music from about 1994-1995, the year I lived and worked in Milwaukee between college and law school. Get ready for songs from Alternative Music's best year ever.
We'll get this started with the underrated Dinosaur Jr. Lead singer J Mascis formed this band in Amherst, playing their first gig as "Mogo" at a party at UMass. While originally this was a band, by the time the mid-1990s hit it literally was just Mascis. Previously, Lou Barlow was a member of the band before he quit and formed two excellent bands -- Sebadoh and Folk Implosion.
Barlow and Mascis have put their bad blood behind them now and began playing together again in 2005 and have since. They are touring Europe right now before coming back to the US to tour this fall.
These 2002 Fleer Triple Crown cards are not anything special or fantastic or wonderful, but at least it is a different look and sound and type of card from what goes on now. This set featured some parallels that sound familiar if you collect any of those "Donruss" cards: they had three sets of parallels numbered to each hitter's batting average, home runs, and RBI.
As Baseball Card Pedia points out, it goes without saying that the pitchers did not get any parallels. Consider the hitting environment in 2002, that's probably appropriate. Otherwise, it appears to be a pretty nondescript set. It's the usual suspects in terms of inserts of that era and features the usual allegedly game-used items being hacked up into little pieces and put into cards, with some dual relics, some triple relics, and some autographs.
1994 was the year that Soundgarden jumped into the American musical collective consciousness. Grunge music -- the "Seattle" sound -- probably hit its apex in 1994. You had Kurt Cobain's death in April of 1994, which caused that band to be frozen in time as my generation's parallel Beatles. Pearl Jam continues on today as the Rolling Stones counterpoint. I guess that makes Soundgarden something like Herman's Hermits or The Yardbirds and Alice In Chains is like the Dave Clark Five or something.
I am not a big fan of analogies like those, to be honest. There will ever be only one band like the Beatles. I don't know the other bands well enough to make proper comparisons. In fairness, ever since the Beatles came onto the scene, bands have been trying to be "the Beatles meets (fill in the blank)." In an interview I saw very recently, Dave Grohl (Foo Fighters, Nirvana) said that Soundgarden's song "Black Hole Sun" nailed the combination that Nirvana in particular was trying to hit: The Beatles meet Black Sabbath.
All that said, I know that Chris Cornell's voice was unique, and his lyricism underneath the loudness and occasional angriness of his singing was incredible.
As to falling on Black Days, let's talk about the Milwaukee Brewers farm system for much of its history. The Brewers have had perhaps three to four major influxes of talent based on their own farm system. You had that first successful team of 1978 through 1983, built off the early drafts and a few crucial trades by Harry Dalton. Then, you had the meteoric rise of the 1987 to 1992 teams -- punctuated by inconsistency due to key pitching injuries.
After that, the team farm system lay fallow for the better part of a decade (1992 through 2005) thanks to poor drafts and player evaluation by Sal Bando's GM team. These cards above come from the very midst of that famine of talent. The "Black Days" of the farm system came thanks to a run starting in 1991 and ending in 2002 where the only real major league players that the team drafted in the first round of the draft were Geoff Jenkins and Ben Sheets.
Example: with the fourth overall pick in 1994, the Brewers selected Antone Williamson. Later that round, the Red Sox picked Nomar Garciaparra, the Dodgers selected Paul Konerko, the Mariners chose Jason Varitek, and the Mets signed Jay Payton. Add to that incompetence in trades -- not selling assets like Geoff Jenkins because he was a fan favorite until it was far too late -- and in signing Jeffrey Hammonds to a contract based on what Hammonds might have been rather than what he was, and you have a recipe for ugliness.
To finish the thoughts above, after 2005, you had the group of Rickie Weeks, Ryan Braun, Prince Fielder, and Corey Hart that came of age in 2008 and were supplemented thereafter by Jonathan Lucroy and Carlos Gomez. The fourth influx of talent, of course, is the next one based off all the tear-down trades.
Okay, I talk about Bando's screwups a lot. Maybe I should take just one blog post and destroy his time as GM. I'd probably be the only one who'd read that.
I've featured music from Pearl Jam here probably more than any other artist. I guess that's just an indication that they really are my favorite band.
I saw them play at Summerfest in 1995 for $10, and it was a fantastic show. It was both a great day and a bad day, though. It was a great day because I saw an excellent band with a great opening act. It was a bad day because I got heat stroke that day (probably because of mixing too much heat with too much beer and not enough water) so it ruined a date with a really attractive woman whom I never went out with again.
C'est la vie.
These were the last of the Fleer cards that Matthew sent to me. A reflection on the poor farm system and poor state of the team in the late 1990s and early 2000s is the fact that the Brewers were ignored pretty regularly by card companies. Basically, it was Burnitz and Jenkins, occasionally Cirillo and Sexson, and then add in random young players.
Is this different from the Brewers of 2016? Not particularly, except for the fact that the 2016 farm system seems much healthier and is held in higher regard than those days 16 to 18 years ago.
The waiting right now, though, is driving me mad.
One of the albums of 1994 that reflected perhaps a pinnacle of a band but at the same time showed a band nearing its end was Monster by R.E.M. When 1994 started, if you had told me that I'd be moving to Athens, Georgia, in August of 1995 for law school, I would have been very surprised.
I had not really considered Georgia as an option until I started looking at the U.S. News & World Report school rankings in the Fall of 1994. Once I saw that it was a top-30 law school and fairly inexpensive for an out-of-state student, I applied. It was the last school to send me my acceptance letter, and it turned out to be my first choice when it was all said and done.
There's always the counterfactual "what could have been" type questions I could ask. What if I'd gone to Wisconsin instead? Would I be working in Milwaukee? Chicago? Somewhere else? I rarely think that way though.
My "what could have been" questions tend to relate more to things outside my own life. What might Rickie Weeks have been had he not had wrist injuries constantly early in his career which took away key development time and sapped some of his bat speed and power from him? What might Ben Sheets's career looked like had he not thrown so many innings and pitches for teams going nowhere? What might have been in 2008 had Sheets not blown out his elbow just before the playoffs, taking the Brewers down to CC Sabathia as a top-level starter?
Those kinds of counterfactuals are fun. Well, fun to think about and rewrite history, at least.
In 1994 and 1995, I worked with a guy, Bill, who really introduced me into the depths and best of Britpop. It coincided with Oasis becoming huge here in the U.S. thanks to their debut album, "Definitely Maybe." I got to see Oasis play at The Rave in Milwaukee in March of 1995. Bill got a group of his friends together, and we all went to the show. It was a great show, definitely.
But it got better.
One of Bill's friends was this woman who was a DJ for WMSE -- the college rock station broadcasting from the Milwaukee School of Engineering. She talked to some of the guys on the soundboard about where the band would be hanging out after the show, and she talked me into trying to find them. So, we went to the hotel where the manager types said they'd be, and we waited for maybe 20 or 30 minutes. Seeing nothing, she suggested that we go back to The Rave and see if the band was still there.
We parked literally right in front of the front door and walked in. A cleaning guy looked at us and we just said, "We've got some friends backstage that we're waiting on." So, we walked straight back and there was Liam Gallagher (the lead singer) just talking and hanging out. He insisted that we go get a beer, and we started talking to him. Being the geek I was, I brought up the press's reports of arguments with his brother ("Those tabloids love to talk shite, don't they, right?") and his love of Manchester City ("Y'go anywhere in town, right, and no one supports that other team. They're all Citeh all the time!"). The DJ asked for his autograph on a CD liner notes, and I got my ticket stub signed. We got everyone in the band to sign both items, had a beer with the band, and left.
I learned an important lesson that day -- just act like you belong and you'll go far.
Here's the Upper Deck cards that Matt sent me. Much like my encounter with Oasis, Upper Deck just acted like they belonged. It's too bad for baseball collectors that they have been cut out of the baseball card business by MLB. I'd guess they pissed MLB off with that 2010 effort that didn't do enough to avoid the use of logos and color schemes. Upper Deck did great things in baseball card designs, but all we get now is just whatever Topps throws out there. Too bad.
Punctuating that year in music for most alternative music fans, of course, was Kurt Cobain's death followed by the release of the "Unplugged in New York" CD. That Unplugged was a master class of sorts in how lyrical Cobain and Nirvana really were.
"Pennyroyal Tea" was always one of my favorite Nirvana songs too for its self-centered lines about being on my time with everyone -- I think that was the start of my real understanding that the less that I cared about what others thought about me, the better my own mental health would be. Yes, I still care about what others think -- just not so much that it makes me do things that I'm not comfortable doing.
The final four cards here were well worth the wait. A Milwaukee Braves team card from 1962 and then three autographed cards of PC guys Jeff Cirillo and Ben Oglivie and my personal point of wonderment for 2017 Topps in Chris Capuano on a card that comes from 2006 -- you know, when Capuano was actually a key member of the team.
My thanks to Matt for the great cards, for the great writing, and my congratulations once again for the award!
